It is known to those Beatles fans who dig a little deeper into the world of Bootlegs, that Paul McCartney had, and maybe still has, the habit of starting projects, doing a lot of work on it and then lay it to rest in his archives. Most of these projects disappear forever.

That goes for TV specials, like "One Hand Clapping" or "Rockestra", for film projects like "The Bruce McMouse Show" or "Rupert the Bear", but also for album projects, like the double LP-versions of "Red Rose Speedway" and "McCartney II". Many of these projects have appeared on bootlegged videos or records over the last years.

Probably the biggest officially unreleased album project is "Cold Cuts". It was a "Best of Leftovers" from various Wings Sessions during the Seventies. The album was first approached in 1978 and for the last time during the mid 80's. In 1978 it was shelved in favour of "Wings Greatest". In October 1980 Wings again worked on it, but due to John Lennon's death and because of the fact that Wings did end as a group early in 1981 this release also never happened. In the mid 80's it again stayed unreleased, instead the second Greatest Hits project "All the Best" appeared in 1987. Thanks to the Bootleggers all planned compilations are accessible for our examinations.

You should think that once the album is planned and completed for release, it should be perfect and so you can take the same mixes for every new try at releasing it, but not when Paul McCartney does it! Every compilation of "Cold Cuts" had different mixes and was including a different line-up. Because of this fact there are some songs, that are available in up to five different versions. There are Basic Track recordings of some songs, then there is the first final mix (from each actual recording session), plus the different mixes from the three planned line-ups.

In my CD-Inlay's I have given these different versions the description of "Final Mix 1", "Final Mix 2" et cetera, except for a few tracks that were obviously different from the rest (Basic Tracks, Monitor Mixes).

For my examinations I am relying on the 3-CD Bootleg " Complete Cold Cuts", released in the summer of 1998 (cover see above, the link brings you to the information about the Bootleg, that is on the "Bootleg Zone").

I am not sure if it includes the best sounding versions available for the tracks, but it includes practically all available versions for every song planned for "Cold Cuts".

There are three sections on this page:

The Line-Ups
(The three different versions, presented the way they appeared on Bootlegs)
.

The obvious Differences
(This section helps you to find out, which versions you have on your Bootlegs)
.

The Sources
(Where to find the different versions of the "Cold Cuts"-Songs)


The tracks are listed in alphabetical order, the years behind the tracks are the years of the original recording (not counting later overdubs), except as noted.

On certain versions it gets obvious, that we are not really dealing with "different" mixes, but the same mix, only presented in better or worse quality, with different playback speed or reversed stereo, for example. But since this page is most of all made to tell the tracks apart, based on their original bootleg sources, those different sounding versions are called "Mix" as well.

Thanks to Peter Gustenhoff in Denmark for his feedback on this subject!


The Line-Ups:
( The Obvious Differences / The Sources)

Line-Up 1 - Released as "Hot Hits Cold Cuts" on Hot Hits Records (Eagle Records) in 1989:

Mama's Little Girl
I Would Only Smile
Tragedy
Night Out
Oriental Nightfish
Lunch Box/Odd Sox
My Carnival
Send Me The Heart
Hey Diddle
Wide Prairie
Tomorrow (Instrumental)
Proud Mum (Instrumental)
Proud Mum (Reprise) (Instrumental)
Same Time Next Year
Did We Meet Somewhere Before?

Line-Up 2 - Released as "Hot Hits Cold Cuts" on Library Records in 1990:

A Love For You
Mama's Little Girl
Night Out
Hey Diddle
Best Friend (Live/22.08.72/Antwerp)
Tragedy
Waterspout
Same Time Next Year
Cage
My Carnival
Did We Meet Somewhere Before?
Robber's Ball

Line-Up 3 - Released as "Cold Cuts (No Baloney!)" on Pegboy Records in 1996:

A Love For You
My Carnival
Waterspout
Mama's Little Girl
Night Out
Robber's Ball
Cage
Did We Meet Somewhere Before?
Hey Diddle
Tragedy
Best Friend (Live/22.08.72/Antwerp)
Same Time Next Year


The Obvious Differences:
( The Line-Ups / The Sources)

The first column includes the description the way I use it in my CD-Inlay's, the second contains the timing of the track (as heard on the 3-CD Bootleg "Complete Cold Cuts") and the third includes the distinguishing mark of each version:

.
A Love For You ('71)
Best Friend (Live/22.08./Antwerp) ('72)
Cage ('79)
Did We Meet Somewhere Before? ('78)
Hey Diddle ('71)
I Would Only Smile ('73)
Lunch Box/Odd Sox ('75)
Mama's Little Girl ('72)
My Carnival ('75)
Night Out ('72)
Oriental Nightfish ('73)
Proud Mum ('74)
Proud Mum (Reprise) ('74)
Robber's Ball ('79)
Same Time Next Year ('78)
Send Me The Heart ('74)
Tomorrow (Instrumental) ('74)
Tragedy ('72)
Waterspout ('77)
Wide Prairie ('73)



A Love For You ('71):
(Back to: The Obvious Diferences / The Sources)

Basic Backing Track

5:40

- The lead vocal is only audible in the background
- The end is complete

Final Mix 1

5:09

- Sparse instrumentation

Final Mix 2

5:08

- Electric guitar overdubs
- Backing vocals
- Percussion added

Final Mix 3

5:26

- An extra section of instrumentation (fuzz bass, organ) has been added
- The extra instrumentation continues over the end of the songs, where the other mixes fade-out
- Denny Laine's background vocals are more audible


Best Friend (Live/22.08./Antwerp) ('72):
(Back to: The Obvious Differences / The Sources)

Original Version

3:57

- This version is in mono
- Both guitars start in the middle of the stereo
- It is pure live

Final Mix 1

3:58

- First guitar starts in the middle left stereo channel, second follows in the right stereo channel
- The vocals seem to be "buried" in the Mix
- Acoustic guitar overdub, not very audible

Final Mix 2

3:57

- Not really a "mix", but a different tape source than Final Mix 1 (that one is the superior one) + reversed Stereo
- First guitar starts in the middle right stereo channel, second follows in the middle left stereo channel

Final Mix 3

3:55

- A single note is audible before the song starts
- First guitar starts in the left stereo channel (louder), second follows in the right stereo channel (quieter)
- Louder lead vocal
- Backing vocals are more audible
- Keyboard mixed back in (was removed for Final Mix 1/2)
- Multiple electric guitar overdubs

Final Mix 4

4:06

- Both guitars start in the middle of the stereo
- More reverb ("Live Feeling")
- longer part at the end, with Paul's "Thank you" and first notes of "Soily" can be heard during the fade-out


Cage ('79):
(Back to:
The Obvious Differences / The Sources)

Mix from original "Back to the Egg"-LP-Line-Up

3:07

- Sparse Instrumentation
- "Clean" Intro
- Lesser backing vocals

Final Mix 1

3:07

- Intro includes screams and shouts
- Synthesizer overdub during first part of the song mainly in left stereo channel
- Backing vocals during the Chorus
- Electric and acoustic guitar overdubs

Final Mix 2

3:08

- Stereo reversed in comparisation to Final Mix 1
- Little or minor other differences (different playback pitch compared to Final Mix 1)


Did We Meet Somewhere Before? ('78):
(Back to:
The Obvious Differences / The Sources)

Final Mix 1

4:58

- Organ during first part of the chorusin the left stereo channel, quiet horns in right stereo channel
- Double tracked vocal starting at 3:30 in the far right stereo channel ant partly in the middle of the stereo for the rest of the song
- Synthesizer at 2:20 in the right stereo channel

Final Mix 2

5:00

- Louder horns in left stereo channel and organ in right stereo channel during the first part of the chorus
- Synthesizer at 2:20 in the right stereo channel
- Double tracked vocal in the middle of the stereo starting at 3:30 for the rest of the song
- Double tracked vocal at around 4:12 with loud reverb
- Reverb added in many places

Final Mix 3

4:58

- Louder guitar in left and right stereo channels
- Quiet horns in left stereo channel and organ in right stereo channel during the first part of the chorus
- Double tracked vocal in the middle of the stereo, starting at 1:07
- Synthesizer at 2:20 in the left stereo channel
- Triple tracked vocal starting at 3:30, one quieter vocal in the left stereo channel, two loud in the middle of the stereo


Hey Diddle ('71):
(Back to:
The Obvious Differences / The Sources)

Basic Backing Track (Instrumental)

3:47

- The guitar intro starts in the left stereo channel
- No vocals

Final Mix 1

3:42

- Fades in slowly from left stereo channel
- Vocals are mostly mixed in the right and left stereo channels

Final Mix 2

3:44

- Country music elements (pedal steel, fiddle) added

Final Mix 3

3:43

- Percussion added (sounds like beating on a tin bucket)

Final Mix 4

3:43

- Starts in the middle right stereo channel
- Mostly mixed into centre of the stereo
- More reverb


I Would Only Smile ('73):
(Back to:
The Obvious Differences / The Sources)

(This track was only included on one of the "Cold Cuts"-Line-Ups)

Final Mix 1

3:17

- Stereo reversed in compare to Final Mix 2
- Running too fast in compare to Final Mix 2

Final Mix 2

3:20

Same mix as Final Mix 1 but in much better sound quality


Lunch Box/Odd Sox ('75):
(Back to:
The Obvious Differences / The Sources)

(This track was only included on one of the "Cold Cuts"-Line-Ups)

Basic Track

3:50

- Piano mixed upfront
- Track stops aprupt during fade-out, actual end is not audible

Final Mix

3:52

- Hi hat is dominantly mixed in right stereo channel right from the start
- Actual end of the track is audible very quietly at the end of the fade-out


Mama's Little Girl ('72):
(Back to:
The Obvious Differences / The Sources)

Final Mix 1

3:42

- Starts with guitar in the right stereo channel
- Sparse instrumentation

Final Mix 2

3:41

- Starts with a fade-in from the left stereo channel
- More backing vocals
- More percussion
- Clarinet overdub added at 1:58, a few seconds after the vocal

Final Mix 3

3:39

- Starts in the middle of the stereo
- Again more percussion than the previous mixes
- Clarinet overdub starts at 1:52, directly after the vocals

Final Mix 4

3:40

- Starts in the middle of the stereo
- Reverb added
- alternate clarinet overdub at 1:52


My Carnival ('75):
(Back to:
The Obvious Differences / The Sources)

Final Mix 1

3:13

- Loud piano right from the start
- Guitar playing at around 3:00 in the middle of the stereo is mixed very upfront
- Horn (played by the "brassman") is in the middle of the stereo
- Sudden ending

Final Mix 2

3:26

- The weird chorus in the background is very low in the mix
- Guitar playing at around 3:00 in mixed lower in the mix
- Horn (played by the "brassman") is in the right stereo channel

Final Mix 3

3:42

- The weird chorus in the background is much more audible
- Horn (played by the "brassman") is in the left stereo channel
- The fade-out is much longer


Night Out ('72):
(Back to:
The Obvious Differences / The Sources)

Basic Backing Track (Instrumental)

2:32

- No lead guitar

Rough Mix

2:15

- No lead vocal, just the "Night out"-refrain
- Refrains start in the left channel 

Final Mix 1

2:14

- No lead vocal, just the "Night out"-refrain
- Refrains start in the right channel

Final Mix 2

2:29

- Starts in right stereo channel
- Includes lead vocal

Final Mix 3

2:30

- Starts in left stereo channel
- Some of the last words of the lines are pronounced in a deep voice in both stereo channel


Oriental Nightfish ('73):
(Back to:
The Obvious Differences / The Sources)

(This track was only included on one of the "Cold Cuts"-Line-Ups)

Final Mix 1

--:--

(As this song is not included in the 3-CD-Box "Complete Cold Cuts", I can't tell the differences)

Final Mix 2

2:43

(As this song is not included in the 3-CD-Box "Complete Cold Cuts", I can't tell the differences)

Video Mix

3:07

- This version features the intro and outro from the video, those are (of course) not on Final Mix 1 and 2


Proud Mum ('74):
(Back to:
The Obvious Differences / The Sources)

(This track was only included on one of the "Cold Cuts"-Line-Ups)

Time: 2:03


Proud Mum (Reprise) ('74):
(Back to:
The Obvious Differences / The Sources)

(This track was only included on one of the "Cold Cuts"-Line-Ups)

Time: 0:32


Robber's Ball ('79):
(Back to:
The Obvious Differences / The Sources)

Final Mix 1

3:53

- Recording doesn't start immediately, but after a few instrument notes and Linda's comment "Fun City Arizona, Reggie..."
- The lead vocals are spread across the complete stereo image

Final Mix 2

3:57

- Recording begins immediately
- The placing of the lead vocal in the stereo is changing often during the song, between left, middle and right channel


Same Time Next Year ('78):
(Back to:
The Obvious Differences / The Sources)

Final Mix 1

3:06

- Single tracked vocal
- No backing vocals on "Ahhh, but nothing changes..." 

Final Mix 2

3:07

- Single tracked vocal
- Backing vocals on "Ahhh, but nothing changes..."
- More audible clarinet than Final Mix 1

Final Mix 3

3:08

- Double tracked final chorus


Send Me The Heart ('74):
(Back to:
The Obvious Differences / The Sources)

(This track was only included on one of the "Cold Cuts"-Line-Ups)

(As this song is not included in the 3-CD-Box "Complete Cold Cuts", I can't tell the timing)


Tomorrow (Instrumental) ('74):
(Back to:
The Obvious Differences / The Sources)

(This track was only included on one of the "Cold Cuts"-Line-Ups)

Time: 3:38


Tragedy ('72):
(Back to:
The Obvious Differences / The Sources)

Basic Track

3:19

- Two guitars during intro, left and right stereo channel
- Sparse instrumentation
- Simple backing vocals
- Paul's voice goes down on the word "...all that's left is the dark below..."

Rough Mix

3:22

- Three guitars during intro, left, middle and right of the stereo
- Sitar overdub
- Paul's voice goes down on the word "...all that's left is the dark below..."

Final Mix 1

3:19

- Minor difference to the Rough Mix, a bit more volume on the instruments
- Three guitars during intro, left, middle and right of the stereo
- Paul's voice goes down on the word "...all that's left is the dark below..."

Final Mix 2

3:18

- Three guitars during intro, mixed in left and right of the stereo channel
- Different lead and backing vocal than previous mixes
- Paul's voice goes down only on the last syllable of "...all that's left is the dark below..."
- Higher voice on "oooh, Tragedy..."

Final Mix 3

3:19

- Three guitars during intro, left, middle and right of the stereo
- Same lead vocal as Final Mix 2
- Lead and backing vocals mixed upfront
- Harp overdub after about 2:10 


Waterspout ('77):
(Back to:
The Obvious Differences / The Sources)

Basic Backing Track

5:02

- Offline mono
- Complete ending

Final Mix 1

4:44

- Paul is saying "there" over the first note of the song
- Almost no backing vocal

Final Mix 2

4:47

- "Uhhh"-shout during intro notes
- Paul shouts in the background during intro notes
- A lot of backing vocals during the chorus parts
- Horn overdub in "Coming Up"-style


Wide Prairie ('73):
(Back to:
The Obvious Differences / The Sources)

(This track was only included on one of the "Cold Cuts"-Line-Ups)

Final Mix 1

11:34

- Long jazzy instrumental improvisation after the actual song
- Country instruments are mixed up front

Final Mix 2/Oobu Joobu ('95)

4:38

- Lead vocals mixed much more upfront
- Country instruments mixed far in the back



The Sources:
( The Line-Ups / The Obvious Differences)

Discs marked with an * are the best available source, according to The Core Collection by Doug Sulpy and Chip Madinger.

All discs are CD's, except as noted.
.

A Love For You ('71)
Best Friend (Live/22.08./Antwerp) ('72)
Cage ('79)
Did We Meet Somewhere Before? ('78)
Hey Diddle ('71)
I Would Only Smile ('73)
Lunch Box/Odd Sox ('75)
Mama's Little Girl ('72)
My Carnival ('75)
Night Out ('72)
Oriental Nightfish ('73)
Proud Mum ('74)
Proud Mum (Reprise) ('74)
Robber's Ball ('79)
Same Time Next Year ('78)
Send Me The Heart ('74)
Tomorrow (Instrumental) ('74)
Tragedy ('72)
Waterspout ('77)
Wide Prairie ('73)

.


A Love For You ('71):
(Back to:
The Obvious Differences / The Sources)

Basic Backing Track

Unsurpassed Masters Vol. 2 (Strawberry/1994) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix 1

Cold Cuts Vol. 2 (Orange/1994) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix 2

Cold Cuts (Library/1990) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)
Studio Tracks Vol. 3 (Chapter One/1991)

Final Mix 3

Cold Cuts (Pegboy/1996) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)


Best Friend (Live/22.08./Antwerp) ('72):
(Back to:
The Obvious Differences / The Sources)

Original Version

I am your Singer (Living Legend/1991) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)
Got any Toothpics (Madman/1998)

Final Mix 1

Unsurpassed Masters Vol. 2 (Strawberry/1994) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix 2

Cold Cuts Vol. 2 (Orange/1994) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix 3

Cold Cuts (Library/1990) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix 4

Cold Cuts (Pegboy/1996) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)


Cage ('79):
(Back to:
The Obvious Differences / The Sources)

Mix from original "Back to the Egg"-LP-Line-Up

Eggs Up (Cage/1990) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix 1

Cold Cuts (Library/1990) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)
Studio Tracks Vol. 3 (Chapter One/1991)

Final Mix 2

All the Rest (Love/1988)
Cold Cuts (Pegboy/1996) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)


Did We Meet Somewhere Before? ('78):
(Back to:
The Obvious Differences / The Sources)

Final Mix 1

Cold Cuts (Eagle/1989) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)
Studio Tracks Vol. 2 (Chapter One/1991)

Final Mix 2

Cold Cuts (Library/1990) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix 3

Cold Cuts (Pegboy/1996) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)


Hey Diddle ('71):
(Back to:
The Obvious Differences / The Sources)

Basic Backing Track (Instrumental)

Unsurpassed Masters Vol. 2 (Strawberry/1994) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix 1

Artifacts III - Sue me Sue you: 1972 - 1975 (Big Music/1995)
Cold Cuts Vol. 2 (Orange/1994) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix 2

Cold Cuts (Eagle/1989) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix 3

Cold Cuts (Library/1990) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)
Studio Tracks Vol. 3 (Chapter One/1991)

Final Mix 4

Cold Cuts (Pegboy/1996) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)


I Would Only Smile ('73):
(Back to:
The Obvious Differences / The Sources)

(This track was only included on one of the "Cold Cuts"-Line-Ups)

Final Mix 1

Cold Cuts (Eagle/1989) *

Final Mix 2

Unsurpassed Masters Vol. 2 (Strawberry/1994) *


Lunch Box/Odd Sox ('75):
(Back to:
The Obvious Differences / The Sources)

(This track was only included on one of the "Cold Cuts"-Line-Ups)

Basic Track

Venus and Mars Outtakes are alright Tonight Vol. 2 (No Pig/199?) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix

Cold Cuts (Eagle/1989) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)
Studio Tracks Vol. 3 (Chapter One/1991)


Mama's Little Girl ('72):
(Back to:
The Obvious Differences / The Sources)

Final Mix 1

Unsurpassed Masters Vol. 2 (Strawberry/1994) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix 2

Cold Cuts (Eagle/1989) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix 3

Cold Cuts (Library/1990) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)
Studio Tracks Vol. 3 (Chapter One/1991)

Final Mix 4

Cold Cuts (Pegboy/1996) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)


My Carnival ('75):
(Back to:
The Obvious Differences / The Sources)

Final Mix 1

Cold Cuts (Eagle/1989) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix 2

Cold Cuts (Library/1990) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)
Studio Tracks Vol. 3 (Chapter One/1991)

Final Mix 3

Cold Cuts (Pegboy/1996) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)


Night Out ('72):
(Back to:
The Obvious Differences / The Sources)

Basic Backing Track

Oobu Joobu Part 13 (Yellow Cat/1995) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Rough Mix

Unsurpassed Masters Vol. 2 (Strawberry/1994) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix 1

Cold Cuts (Eagle/1989) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix 2

Cold Cuts (Library/1990) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)
Studio Tracks Vol. 3 (Chapter One/1991)

Final Mix 3

Cold Cuts (Pegboy/1996) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)


Oriental Nightfish ('75):
(Back to:
The Obvious Differences / The Sources)

(This track was only included on one of the "Cold Cuts"-Line-Ups)

Final Mix 1

Oriental Nightfish (2-LP vinyl) (Hoffman Avenue/19??) *
Four Sides To The Circle (Big Jolly/1981) (superior sound, but slightly shorter than on the core disc)

Final Mix 2

Appaloosa Love (Yellow Cat/1998)
Cold Cuts (Eagle/1989) *
Studio Tracks Vol. 3 (Chapter One/1991)

Video Mix

Appaloosa Love (Yellow Cat/1998)
Completed Rarities Vol. 1 (Polyphone/1991) *


Proud Mum ('74):
(Back to:
The Obvious Differences / The Sources)

(This track was only included on one of the "Cold Cuts"-Line-Ups)

Cold Cuts (Eagle/1989) *
Studio Tracks Vol. 3 (Chapter One/1991)


Proud Mum (Reprise) ('74):
(Back to:
The Obvious Differences / The Sources)

(This track was only included on one of the "Cold Cuts"-Line-Ups)

Cold Cuts (Eagle/1989) *
Studio Tracks Vol. 3 (Chapter One/1991)


Robber's Ball ('79):
(Back to:
The Obvious Differences / The Sources)

Final Mix 1

Cold Cuts (Library/1990) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)
Studio Tracks Vol. 3 (Chapter One/1991)

Final Mix 2

Cold Cuts (Pegboy/1996) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)


Same Time Next Year ('78):
(Back to:
The Obvious Differences / The Sources)

Final Mix 1

Cold Cuts (Eagle/1989) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix 2

Cold Cuts (Library/1990) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)
Studio Tracks Vol. 1 (Chapter One/1990)

Final Mix 3

Cold Cuts (Pegboy/1996) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)


Send Me The Heart ('73):
(Back to:
The Obvious Differences / The Sources)

(This track was only included on one of the "Cold Cuts"-Line-Ups)

Cold Cuts (Eagle/1989) *


Tomorrow (Instrumental) ('74):
(Back to:
The Obvious Differences / The Sources)

(This track was only included on one of the "Cold Cuts"-Line-Ups)

Cold Cuts (Eagle/1989) *
Studio Tracks Vol. 3 (Chapter One/1991)


Tragedy ('72):
(Back to:
The Obvious Differences/ The Sources)

Basic Track

Unsurpassed Masters Vol. 1 (Strawberry/1994) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Rough Mix

Unsurpassed Masters Vol. 2 (Strawberry/1994) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix 1

Cold Cuts (Eagle/1989) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix 2

Artifacts III - Not fade away: 1969 - 1971 (Big Music/1995)
Cold Cuts (Library/1990) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)
Studio Tracks Vol. 3 (Chapter One/1991)

Final Mix 3

Cold Cuts (Pegboy/1996) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)


Waterspout ('77):
(Back to:
The Obvious Differences / The Sources)

Basic Backing Track

2 Buddies on Holly Days (Library/1990)
Cold Cuts Vol. 2 (Orange/1994) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix 1

Cold Cuts (Library/1990) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)

Final Mix 2

All the Rest (Love/1988)
Cold Cuts (Pegboy/1996) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)


Wide Prairie ('73):
(Back to:
The Obvious Differences / The Sources)

(This track was only included on one of the "Cold Cuts"-Line-Ups)

Final Mix 1

Appaloosa Love (Yellow Cat/1998)
Cold Cuts (Eagle/1989) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)
Studio Tracks Vol. 3 (Chapter One/1991)

Final Mix 2/Oobu Joobu ('95)

Appaloosa Love (Yellow Cat/1998)
Oobu Joobu Part 7 (Yellow Cat/1995) *
Complete Cold Cuts (3-CD) (Bell Bottom/1998)